MONK SEAL PHILATELY
William M. Johnson, Alexandros A. Karamanlidis,
David M. Lavigne & Antonio A. Mignucci-Giannoni
Like numerous other species the world over, the monk seal is no stranger to the philatelic world. Portraits of the Mediterranean, Caribbean and Hawaiian monk seals adorn stamps issued by nations as far afield as Russia and Tanzania, Cuba and Albania.
The postage stamp first saw the light of day in 1840 and since then, according to the Society of Topical Philately in Belgium, hundreds of millions of these tiny, perforated pieces of paper have been dabbed against the human tongue and affixed to letters and parcels.
While stamp collecting has never enjoyed a particularly glamorous or stirring reputation, aficionados are said to number in the millions, generating attractive profits even for the postal services of developing nations that design, print and issue their own special series and first day covers.
Part of the fascination of stamp collecting is undoubtedly the ability of these vivid miniature designs to acquaint the armchair traveller with some of the worlds most romantic, exotic, and faraway places, and with the people, animals and plants that populate them. Stamps are used to commemorate, to further humanitarian campaigns, to boast of scientific or technological achievement, and to educate.
Therein lies philatelys Achilles heel. Because stamps are issued by official government agencies they, their designs and the descriptions that normally accompany first day covers, assume a kind of erudite prestige. If philatelic depictions of the Mediterranean, Hawaiian and Caribbean monk seals are anything to go by, however, such confidence proves unwarranted. In many cases, representations of these endangered and in the case of Monachus tropicalis extinct species, are imbued with a liberal dose of artistic license, effortlessly transforming monk seals into sea lions or other pinnipeds, placing them in alien or unfamiliar habitat, or rechristening them with obsolete scientific names.
Yet paradoxically, it is precisely these errors and imperfections that shed further light on the human-seal relationship in much the same way that a Renaissance woodcut may say more about contemporary natural history than about the monk seal as a living, breathing species. The stamp images of the monk seal and the descriptions accompanying them become a miniature mirror of societys attitudes, superstitions and misconceptions surrounding these animals.
In fact, almost every stamp in the monk seal collection has a story to tell. First, misnaming. A 1961 stamp from Bulgaria describes the Mediterranean monk seal as Monachus pelagius, an obsolete taxonomic synonym for the species first coined by François Cuvier in 1824 (Johnson & Lavigne, in prep.). Similarly, a stamp issued by Albania in 1999 depicts a Monacus albiventris, a corruption of Monachus albiventer, a synonym most often associated with the 18th century Dutch physician and taxonomist P. Boddaert (see Monk seals commemorated (sort of), TMG 2(2): November 1999). Where Monachus tropicalis is concerned, Cuba provides a correct scientific name, but also cites the Caribbean monk seals colloquial alter ego as Foca Antillana or the "Seal of the Antilles."
While some artists have done their homework in faithfully reproducing the monk seals distinctive features its broad head and white belly patch, for example others appear to have looked no further than the pinniped model most conveniently at hand. Mauritanias 1973 stamp appears to feature a sea lion head (a blunder more than made up for in its exemplary monk seal series in 1986), while Yugoslavias 1983 issue, recording the species presence in the Kornati archipelago, depicts a phocine seal rather than monachine seal.
When the monk seal was adopted as the official mascot of the 1979 Mediterranean Games in Split, host nation Yugoslavia issued a stamp depicting a stylish sea lion apparently howling at the sky. Whether the artist was trying to convey a statement about the seals likely fate will probably forever remain in doubt. Although it was regarded as the most endangered species in the country at the time (Gamulin-Brida 1979), official apathy and negligence ensured its effective extinction in the Adriatic within a decade (Johnson & Lavigne 1999b).
Fleetwood first day cover, UN Vienna 1994
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Occasionally, it is the first day cover that betrays the stamp artist. A Fleetwood cover accompanying a reasonably accurate 1994 United Nations stamp of Monachus monachus depicts a species that appears to be stuck in a transgenic shift between sea lion, bird and extraterrestrial. Turkeys recent offering commemorating the year 2000 depicts the nations critically endangered species with a modest smile, presumably in greeting the new millennium (sic) rather than with any particular confidence in government efforts to protect it.
But if artists are getting the wrong picture, imagine the confusion of the general public and the stamp collecting fraternity. The Mediterranean monk seal is generally depicted in idyllic, pristine surroundings without a fisher, a hunter or tourist development in sight. Albania (1999), Greece (1990), Madeira (1993) Portugal (1983), Tunisia (1986) and Gulf Emirate Umm Al Qiwain (1972) show seals basking happily on sandy shores or wave-splashed rocks, despite the fundamental deterioration in habitat that has historically driven the species away from open beaches (Johnson & Lavigne 1999a, 1999b; for the monk seals recent return to beaches on Madeiras strictly protected Desertas Islands, see Monachus Science, this issue).
The same kind of picture emerges from the Caribbean, where Antigua and Barbuda depict a plump, delighted seal on a deserted coral beach, apparently oblivious to its species looming demise. In contrast, Grenadas Monachus tropicalis at least stares back at you with a kind of forlorn reproach.
Tunisia must win the prize for the most inadvertently ironic of all monk seal stamps. Its 1986 issue commemorates the creation of the Zembretta National Park and its protection of Monachus. Alas, the Parks population of seals was already extinct by the time the stamp was rolling off the presses (Aguilar 1998).
There are several other curious anomalies in our monk seal collection. Tanzania and Umm Al Qiwain have both issued commemorative monk seal stamps even though the species have never graced their respective territories. In contrast, the Croatians, Cypriots, French, Israelis, Libyans and Moroccans have apparently deemed their struggling or extinct specimens unworthy of such philatelic honour. In the post Cold War thaw, Russians apparently saw fit to take the middle ground. Instead of commemorating their own extinct monk seal in the Crimean Black Sea, they issued a 1993 stamp honouring the seal of their erstwhile enemy, the Hawaiian monk seal, Monachus schauinslandi
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